Structured in four sections, the exhibition displays Terrazas' first works carried out in the sixties, experimental works made with thread attached to wooden surfaces, as well as series and variations that reflect on the most recent structures and exercises that question industrial development. and its environmental impact.

At the Museum of the Palace of Fine Arts they presented the catalog of the Eduardo Terrazas exhibition. Multiple balance

The volume brings together essays by specialists Daniel Garza Usabiaga and María Minera, as well as photographs of the works
“I appreciate the invitation to hold this exhibition, an invitation that seemed fantastic to me, but that also filled me with terror, because it was the possibility of evolving, of continuing to produce ideas and because what one wants is to share everything that has been learned in life and allowing people to also have the same experience,” commented plastic artist Eduardo Terrazas during the presentation of the catalog that accompanies his exhibition Eduardo Terrazas. Multiple Balance. Works and projects (1968-2023).

In an event organized by the Ministry of Culture of the Government of Mexico and the National Institute of Fine Arts and Literature (Inbal), through the Museum of the Palace of Fine Arts, said catalog was presented to the public in the Mural Area, with the presence of the exhibiting artist, accompanied by the director of the Museum, Alejandra de la Paz; the director of the Jenkins Foundation, Alejandra Lerdo de Tejada; the curator of the exhibition, Daniel Garza Usabiaga, and the researcher Graciela Kasep and the historian Humberto Beck.

The volume, edited by the federal Ministry of Culture and Inbal, with the collaboration of the Jenkins Foundation, brings together, in 236 pages, presentation texts from the heads of the organizing institutions, as well as essays by specialists Daniel Garza and María Minera , in addition to photographs of the 144 pieces that make up the exhibition and that reflect Terrazas' unique vision to generate a deep dialogue about progress and its impact on the life of the planet.

In thanking the exhibition and the respective catalogue, the artist said that before collaborating in the artistic activities of the '68 Olympics, he was traveling through many countries, "observing new ways of seeing the world and looking for new possibilities of expressing everything." “what I saw of those new landscapes that were presented to me.”