The Japanese art star talks anime, capitalism and the Star Wars-inspired model of running his studio, and explains the connection between his vibrant graphic aesthetic and grim reality
A native of Tokyo, Takashi Murakami collaborated with leading fashion brands, created illustrations for albums of famous rappers, and his exhibitions were held in the largest museums in the world. Such a successful career was based in part on the feeling that he "lacked the talent" to do what some of his anime and manga heroes could. Murakami's recognizable aesthetics were largely determined by the work of a number of Japanese artists and directors: Leiji Matsumoto, Katsuhiro Otomo, Hayao Miyazaki and Hideaki Anno. The latter “has already done everything I ever wanted,” Murakami is sure. He studied fine art and traditional Japanese nihonga painting at the University of Tokyo before moving to New York in the mid-1990s. Western influences on his work include the appropriation of pop culture by Andy Warhol and the monumentality of Anselm Kiefer, as well as flirtations with capitalism in the style of Jeff Koons and Damien Hirst. The recurring characters in Murakami's works, such as the Mickey Mouse-like Mr. DOB or the funny smiling flowers, have recently been joined by a darker "Arhat", inspired by the image of an enlightened Buddhist wanderer.